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Reassamblage finds Doran and Carlile incorporating an international array of virtual instruments to advance the idea of pan-globalism through digital simulation, with tones and colours cohering into a living, breathing pool of sensorial experience. With the “Fourth World” leanings of 80s Japanese ambient and pop (as explored by Spencer on his radiant 'Fairlights, Mallets, and Bamboo' mixes) a crucial touchstone amidst a breadth of worldly musical influences, Visible Cloaks filter and form source material to become young again. Often the duo strip tonal elements of their specificity or randomize melodies so they become stirring and lucid. Essential patterns emerge, conscious experience heightens. In these moments, the musical language of Reassemblage finds unlimited resonance and presents a path to uninhabited realities.
Live, this becomes an inviting and immersive multi-sensual feast, with the pitch-perfect visual aesthetic of digital and installation artist Brenna Murphy (also responsible for the Reassamblage artwork and accompanying videos) extending the album’s exploration of global headspace into a visual, visceral reality.