Christian Death at The Underworld Camden @ The Underworld Camden, London [18 April]

Christian Death at The Underworld Camden

19:00 - 23:00

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The Underworld Camden
174 Camden High Street, NW1 0 London, United Kingdom
The Underworld Camden proudly presents:
plus: Deadcuts + The Black Evil Blood

Price: £15.00 adv. // Doors: 7pm — 11m
Tickets —


Permanent members:
Valor — Male lead vocals, guitar and multiple instruments
Maitri — Female lead vocals, bass guitar

«The founding fathers of American goth rock, Christian Death took a relentlessly confrontational stand against organized religion and conventional morality, with an appetite for provocation that made Marilyn Manson look like Stryper. Regardless of who was leading or performing in the group, Christian Death set themselves up to shock, both in their cover art and their lyrics, which wallowed in blasphemy, morbidity, drug use, and sexual perversity. Their self-consciously controversial tactics set them apart from the British goth scene, having more to do with L.A. punk and heavy metal, and thus the band dubbed its sound „death rock“ instead; however, their sensibility was ultimately similar enough that the „goth“ designation stuck in the end. Their music also relied on slow, doomy, effects-laden guitar riffs and ambient horror-soundtrack synths, and their theatrical performances were strongly influenced by British glam rockers like David Bowie and Roxy Music, as well as industrial provocateurs Throbbing Gristle. The latter was especially true of the band's first incarnation, led by vocalist and founder Rozz Williams, — When Williams left in 1985, guitarist Valor Kand took over leadership and sent the group in a more intellectual, political, and metal-oriented direction. A subsequent dispute over ownership of the Christian Death name, — lead many of their fans to take sides. — Christian Death had an enormous influence on the American goth scene, shaping the sensibility of countless goth, metal, and even industrial acts that followed. Sadly, the Kand-Williams dispute ended in tragedy in 1998, when a heroin-addicted Williams took his own life.” ~ Steve Hue VH1, ROLLING STONE
There has been a ridiculously huge revolving door of membership in the Los Angeles band known as Christian Death. In the beginning, not long after the local California release of the first album, “Only Theatre of Pain”, the band irrevocably and formally broke up. This left “Rozz”, at home with his overtly religious parents in Pomona California, to contemplate his insufferable boredom, his only relief being found on the pages of his lyrics. After being invited to the record release party for “Pompeii 99”a band already enjoying success in L.A., where Rozz met band leader, singer and guitarist “Valor”. Before long they were inseparable friends and Rozz was invited to join Pompeii 99. Together as Pompeii 99, while rehearsing for a planned European tour, the head of a French record label that Valor had been negotiating with, proposed the notion of renaming his band Christian Death. Neither Valor nor Rozz wanted to entertain this, however, the incentives proposed by the label eventually prevailed and thus Pompeii 99 was reborn as Christian Death. The second Christian Death album, “Catastrophe Ballet”, which resulted from this deal, was recorded in Wales UK, (a place where several future Christian Death albums were also to be born). A month before the release of Catastrophe Ballet, the French label head released a compilation which he called “Deathwish” comprised of previously recorded, unreleased outtakes and single tracks he had licensed.

Recording the second album was followed by the very first Christian Death tour which began in Paris and on to most European countries. The emotional stress of this first tour was hard on Rozz causing him to return to Los Angeles months before the other members that remained in Europe. Upon Valor’s return to Los Angeles, work began immediately on the third album, “Ashes”. Meanwhile, the release of a “live” album called “The Decomposition of Violets” recorded in Hollywood was also released.”

After the release of Ashes the following year, plans were underway for the second European tour when, Rozz, just weeks before the first scheduled date in Italy, announced his plans to quit the band. With no intention of cancelling the tour, Valor returned to lead vocals, the bass player became the guitarist and the guitar tech became the bass player and the tour proceeded as planned but without Rozz.

Now fronted by Valor, they left California and settled in London England which they used as a base to tour Europe relentlessly in the midst of controversy, riots, bomb threats and protests by extremist Christian groups. Many concerts were canceled as a result of direct pressure by influential religious organizations.

From England a further “nine studio albums” and four live albums were released in the territories of England, Germany, Italy, France, Japan and USA with each release in each territory having different art work, configurations and bonus tracks. Among these releases was the critically acclaimed album “Sex and Drugs and Jesus Christ” which depicted Jesus shooting heroin and the single “Church Of No Return” which went to No.12 in the UK charts which landed the band numerous spots on MTV, VH1, Super Channel, BBC and countless other Euro television and radio shows. Meanwhile in the USA, Christian organizations began burning their albums in public and on Christian Television networks.

In 1994 Valor relocated Christian Death to the USA centered around himself and Maitri on bass and vocals. “He returned with 1994's Sexy Death God, which many longtime fans greeted as his best and tightest effort in quite some time.”~ Steve Hue VH1

Once again based in the USA, for the first time, it was possible to do full North American tours, of which there were many, which also included Mexico where the live album “Amen” was recoded at the first ever show in Mexico City for Century Media. Later to be followed by the studio album: “Pornographic Messiah” which was also recorded in Mexico, then mixed in Holland.

“In 2000, they added drummer Will „Was“ Sarginson (ex-Cradle of Filth and Blood Divine) and toured Europe alongside Britain's Cradle of Filth, one of the more popular black metal bands of their time. The two groups got along well enough for several Cradle members to guest on Christian Death's 2001 album Born Again Anti Christian, helping it become one of the most metallic records in their catalog.

The following year, female vocalist and bassist Maitri, by then the second most continuous member of Christian Death, issued her black metal-influenced solo album “Lover of Sin” (confusingly labeled on the cover as „Christian Death Presents...“). In 2003, Cradle of Filth guitarist Gian Pyres officially joined Christian Death for their European tour.” ~ Steve Hue VH1

In response to the post 911 period, the album “American Inquisition” recorded on Season Of Mist was the offering. The tours for this album included new territories for the band: Brazil, Chile, Peru, Ecuador. Australia, and New Zealand. Around this time Christian Death released multitrack versions of several songs for the “Rock Band” video game series as well at that time bootleg figurines of both Rozz and Valor began to appear.

In 2012 Maitri released the album second Lover Of Sin album ”Horny Beast” the project featured members of Nile, Morbid Angel and other popular Death Metal Bands.

2013 full tour of The Americas into 2014, with a full back catalogue digital global release. Culminating the year at „Hellfest“ supporting „Kiss“, „Rob Zombie“ and „Limp Biscuit“.

With the 2015 Release of the album “The Root of All Evilution”, and the tour for that album which began that Autumn in Europe through into North America in 2016 and again returning to Europe and finishing in Israel.

The song “Between youth”, re-released in 2017 was featured in the Vice TV series on HBO “Balls Deep”. Later that Autumn, Christian Death completed the longest North America Tour to date. The tour included “Lords of Acid”, Combichrist and En Esch.

Touring in 2018 will commence at the “Underworld” in London, England.


The Black Evil Blood ( BEB ) are a stoner/doom sounding power trio with a death metal grain, and they define their music “Death’n’roll”. Their main influences are Obsessed, Entombed, Black Sabbath, Mercyful Fate, Candlemass.
They were formed in Italy in 2015, and they moved to London in 2016. The band consists of Blackster Blood, female growl singer and multi-instrumentalist who has been already involved in several international tours and Little John Guelfi, guitarist/singer/producer that used to work with Alternative Tentacles records and Black Widow records.
Way back in Italy they used to collab with the drummer Xelgor Blast, while Blackster Blood was on bass and growl singing and Guelfi took over guitar and clean vocals. They toured various italian cities and festivals and recorded a six track audio and video live demo in Turin on November 14th, 2015.
This gig happened to be the night after the Bataclan attack, this brought over some public speaking by the band about war and religion that can be listened to on youtube (
On September 2016 Blackster Blood and Little John Guelfi permanently moved to London. As soon as Xelgor left the band to follow his own solo career, the band was joined by the established drum virtuoso Ritchie Lombardo on all drums and percussion.
The Black Evil Blood’s first EP “Live at the Asylum” (based on the above described Italian live recordings) was out on October 31st 2017 and was presented at The Underworld Camden, London. They’re currently working on their first studio album, while gigging in UK and looking for a UK record deal as well.
The Black Evil Blood lyrics deal with the horrible and obscure that’s hidden into everybody’s life. No ancient times, myths, gods and fantasy scenarios so, but better the monsters from our unconscious that can blow our mind and break through our everyday real life.
On a political point of view too, some lyrics focus on how dominant powers such as religion, government and army — from police to secret services — can manage to control our life for their own sake.
The BEB think that the first way for domination is ignorance, reached by media overexposing and schooltime manipulation. While the first step to be able to make a real revolution is to have an exhaustive culture and information.
Legal and illegal drugs are also one of the most important tools for the power to control public dissent. For this reason Blackster and John follow a strictly Straight Edge lifestyle.
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