Private View: Women Look At Women @ Richard Saltoun Gallery, London [14 February]

Private View: Women Look At Women


1569
14
February
18:00 - 20:00

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Richard Saltoun Gallery
41 Dover Street, W1S 4NS London, United Kingdom
Richard Saltoun Gallery is proud to announce our inaugural exhibition at the new Dover Street gallery WOMEN LOOK AT WOMEN.

Opening on Valentine’s Day 14th February 6-8pm, the show includes 13 groundbreaking women artists: Eleanor ANTIN, Renate BERTLMANN, Elisabetta CATALANO, Helen CHADWICK, Rose ENGLISH, VALIE EXPORT, Alexis HUNTER, Rose FINN-KELCEY, Friedl KUBELKA, Annegret SOLTAU, Jo SPENCE, Francesca WOODMAN and Marie YATES

Exhibition dates: 15 February — 31 March 2018
Private View: 14 February 2018 6-8pm

PRESS RELEASE

WOMEN LOOK AT WOMEN
Curated by Paola Ugolini
15 February – 31 March 2018
Private view: Wednesday 14 February 6-8pm
WOMEN LOOK AT WOMEN explores feminine identity through the work of thirteen internationally
renowned women artists. In this inaugural exhibition at Richard Saltoun’s new gallery in Dover Street,
each of the works on show reflects a different aspect of the relationship women have with their own
bodies and how they judge and respond to the physicality of other women.

FEATURED ARTISTS

Eleanor ANTIN (b. 1935, Bronx, NY) lives and works in San Diego, CA. A pioneer of conceptual and
performance art movements of the 1970s, Antin has worked across photography and staged
performances to confront issues of identity, social structures and the role of women.

Renate BERTLMANN (b. 1943, Vienna) lives and works in Vienna, Austria. In the 1970s she was
considered too radical to be included in museum exhibitions. 40 years later, Bertlmann, who won the
2017 Austrian State Art Prize, has achieved iconic status to become an inspiration to feminist artists
all over the world. Her work focuses on representations of sex, love and relationships.

Elisabetta CATALANO (b. 1944, Rome – d. 2015, Rome). An actress turned photographer, Catalano
was described by Alberto Arbasino as a “genius of portraiture masked as a beautiful woman”. Her
black and white photographs bring out the inner beauty of the stars and artists that were her trademark
subjects.

Helen CHADWICK (b. 1953, Croydon, Surrey – d. 1996, London). A leader of the feminist art
movement in 80s and 90s Britain and an inspiration to generations of young artists, including many of
the YBAs, Chadwick’s provocative sculptures and installations often use visceral materials to create
works of great aesthetic beauty.

Rose ENGLISH (b. 1950, Hereford, UK) lives and works between Denmark and London. English sets
up elaborately choreographed productions featuring musicians, dancers, circus performers,
magicians and horses to satirize British sensibilities and conventions.

VALIE EXPORT (b. 1940, Linz, Austria) lives and works in Vienna, Austria. Now recognised as one of
the most vital feminist artists of the last century, VALIE EXPORT achieved notoriety for her guerrilla
performances in the 60s such as Genital Panic where she used her body to provoke a reaction to her
political, feminist approach to art.

Rose FINN-KELCEY (b. 1945, London – d. 2014, London). One of the most inventive artists of her
generation, Finn-Kelcey’s artistic language spanned all media and scale, using installation and
sculpture, and even land art to voice her socio-political messages.

Alexis HUNTER (b. 1948, Auckland, New Zealand – d. 2014, London). An important figure of the
feminist art movement in Britain; as an artist and activist, Hunter weaponised photography to reject
gender stereotypes and exploitative images from media and advertising.

Friedl KUBELKA (b. 1946, London) lives and works in Vienna, Austria. One of Austria’s major
filmmakers and photographers, associated with the Viennese Actionist movement, Kubelka's
photographic works focus on the body, autobiography, and identity.

Annegret SOLTAU (b. 1946, Luneburg, Germany) lives and works in Darmstadt, Germany. During the
1970s Soltau held performances where she would bind herself and audience members in black thread,
concealing their faces and confronting issues surrounding the body, female identity, censorship and
silencing.

Jo SPENCE (b. 1934, London – d. 1992, London). One of Britain’s most important feminist artists,
Spence used the camera to redefine the traditional role of women, class and politics, her personal
battles with ageing, weight and ultimately, cancer.

Francesca WOODMAN (b. 1958, Denver, Colorado – d. 1981, New York). From age thirteen until her
suicide at age 22, Woodman created work using her body as both subject and object. Her adoption
of new photographic techniques assured her status as one of the most ground-breaking artists in the
history of feminist photography.

Marie YATES (b. 1940, Manchester, UK) lives and works in Crete, Greece. Yates has been making art
for over 50 years. Her radical conceptual works address issues of representation, language, sexual
difference and fantasy.

HIGHLIGHTS

In 1974 Eleanor Antin staged a performance in the Californian surfer town Solana Beach, dressed in
drag as her fictional character The King of Solana Beach. Wearing a full beard, her gender-binding
alias tests preconceptions of male and female roles throughout history. In Men from The King of
Solana Beach (1974) we even see “His Majesty” taking a trip to [the men’s] bathroom.

Renate Bertlmann’s Transformations (1969/2013) comprises 53 staged self-portraits, where
Bertlmann transforms into different female character types; the free spirit, the demure girl, the mad
eccentric, and so forth. Posing for the camera, she performs “femininity” in its many guises, playing a
game of seduction with her viewer, whilst staying in full control.

Exhibited at The Venice Biennale in 1984, Ego Geometria Sum (1983-6) maps Helen Chadwick’s
history from birth to age thirty. Sculptures reminiscent of mathematic structures or children’s building
blocks, layered with surreal tableaux of familiar objects and her naked body, become time capsules;
leading us through the artists past.

Friedl Kubelka’s work, Pin Ups (1973-4), are intimately staged self-portraits taken during lone night
stays in Parisian no-tell motels. Dressed to provoke, she takes full control of her orchestrated identity,
multi-casting herself as a subject of discussion, object of desire, and image maker and choosing how
she wants to be presented, on both sides of the lens.

For sales inquiries please email Niamh Coghlan:
[email protected]n.com
For press information please email Caterina Berardi:
[email protected]
For exhibition inquiries please email Róisín McQueirns:
[email protected]

Visitor Information: Richard Saltoun Gallery, 41 Dover Street London W1S 4NS
Tel: +44 (0) 20 7637 1225
Gallery Hours: Tuesday — Saturday 10am — 6pm or by appointment
Nearest tube: Green Park Station
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