Tavia Nyong’o: Black Joy with Ambivalence @ ICA, London [14 February]

Tavia Nyong’o: Black Joy with Ambivalence


171
14
February
18:00 - 20:00

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ICA
The Mall, SW1Y 5AH London, United Kingdom
On Redress and Repair

This talk by Tavia Nyong'o considers the renewed calls for a militant defence of Black joy and pleasure in the face of systemic anti-Black violence and a revivified white nationalism. What does it mean to defend Black pleasure in the context of compulsory capitalist demands to enjoy, demands that have relentlessly commercialized Blackness as an ever-renewable source of fun and profit?

What effect can positive affects have upon the reproduction of anti-Blackness? Can joy be analytically distinguished from pleasure (or the psychoanalytic concept of jouissance for that matter) in such a way as to connect its expression to histories of Black struggle and fugitivity? What libidinal economy is implied by the assertion of joy and pleasure as survival strategies for Black subjects? Can such an assertion repel or resist our status as what Rinaldo Walcott has termed 'laboring commodities' for computational capital?

This talk addresses these questions by revisiting Saidiya Hartman's concept of 'redress'. Nyong'o argues that this notion provides a Black feminist theory of ambivalence that may help us resist the double bind of joy/suffering in contemporary Black political culture. Whereas ambivalence is often equated with political quietism and resignation, Nyong'o instead looks to Black feminist and queer theory to mount a defence of ambivalence as a radical and critical stance.

Tavia Nyong'o works at the intersection of art, performance and theory, and is Professor of American Studies at Yale University. He is the author of a number of articles, as well as the monograph The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (2009).

He is completing a second book on Afro-Fabulations in Contemporary Black Art and Performance (forthcoming) and embarking on a third project about alienation, estrangement and ambivalence in Black and queer studies. He lives in Brooklyn, New York.

This event is part of a series titled We Want Everything, programmed by Dr Stephen Wilson in collaboration with the ICA. The series is staged in collaboration with the ICA and the Chelsea, Camberwell and Wimbledon College of Arts postgraduate community. We Want Everything asks us to recognize the meaning of art and human life regardless of economic flows.

Given the neoliberal conditions we find our future-selves contending with, this public series of events explores human prerequisites such as citizenship, agency and the permission to experience any emotions. In an unstable field of bio-political inequalities, unconscious bias, data technologies, happiness industries and isolation, how do art and design practices maintain their love of complexity and deviation under the auspices of increased atomization?

In collaboration with UAL, Camberwell, Chelsea and Wimbledon | Image credit: Paul Mpagi Sepuya, Studio (0X5A0173), 2017. Courtesy the artist, Team Gallery, and Yancey Richardson Gallery
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